What I Read in March 2020

Hello again, lovely readers! It’s a very strange time, with all of our lives disrupted one way or another. How has it affected your reading? Are you reading more, less, or about the same? Have your genre tastes changed?

I read 6 books in March, about the same as January and February. They were split between Science Fiction, Fantasy, Crime, Romance and Non-fiction. Four were paperbacks and two were Ebooks, both of which were ARCs (Advance Reader Copies). So, reading-wise, March was a pretty normal month for me. I find this a bit surprising, because it didn’t feel normal at all. Here are the books, on a background of one of my favourite roses, blooming now on an arch in my garden:

Climbing Rose ‘Fourth of July’

My average rating for March was 3.83, quite a bit lower than the past couple of months, but there were two 5-star reads in there, so it wasn’t a bad month by any means. I’ve presented the books in order from lowest rated to highest.

THE SEVENTH LINK (Village Mysteries #4) by Margaret Mayhew
GENRE: Crime/ Cozy Mystery

RATING: ⭐⭐

A retired English Colonel is pleased when an old friend invites him for the weekend, to coincide with a RAF reunion event. His fellow guests include a Lancaster bomber crew, reunited for the first time. But everything is not as it seems, and the Colonel finds himself taking on the reluctant role of sleuth once more when tragedy strikes . . . 

I borrowed this from my library on a whim, and I was enjoying it, just the kind of easy, familiar read I was in the mood for, until it abruptly ended in a way that to me is unforgivable in this genre. To be blunt, the mystery is not solved, not for certain. I mean, the reader is not told what really happened. And the amateur sleuth just kind of shrugs and goes home to his cat. No. Just no.

BIRD BY BIRD by Anne Lamott
GENRE: Non-fiction/Writing

RATING: ⭐⭐⭐

A step-by-step guide on how to write and on how to manage the writer’s life. From “Getting Started,’ with “Short Assignments,” through “Shitty First Drafts,” “Character,” “Plot,” “Dialogue.” all the way from “False Starts” to “How Do You Know When You’re Done?” Lamott encourages, instructs, and inspires. She discusses “Writers Block,” “Writing Groups,” and “Publication.” Bracingly honest, she is also one of the funniest people alive.

This was a book I was looking forward to, and it was a disappointment. It’s well-written, as you’d expect from Anne Lamott, but the further I read, the more I disliked her. This is supposed to be part memoir, part writing craft book, but really, it’s all about Anne. Her insecurities, her jealousies, her fragile ego. I would not want to take one of her classes. And despite the glowing blurb, it’s not much of a guide, pretty basic advice and very repetitive. I know people love this, and if I had gotten on better with Lamott’s personality, I probably would have liked it too, hence the 3 stars. But I found nothing to identify with here.


THAT NIGHT IN PARIS (Holiday Romance #2) by Sandy Barker (ARC from Netgalley)
GENRE: Romance

RATING: ⭐⭐⭐⭐

To Cat Parsons, a European bus tour feels like a stroke of genius to dodge awkward conversations at home. But little does Cat realise that the first stop will be Paris, the city of love itself.
Joined by new friends, Cat has got two weeks, eight countries and a hell of a lot of wine ahead of her. As they discover hidden treasures and the camaraderie of life on the road, will Cat find a new way of looking at love?

I enjoyed the first book in this series, One Summer in Santorini, but this one was better. I loved the tour aspect, and the descriptions of the different places. I really want to go to Lauterbrunnen now! The romance was fine, and not as cringy as most (I’m not a huge fan of romances in general). But for me, the best part was the relationship between Cat and her “bus besties”, especially Lou. As others have said, Cat begins the trio as somewhat self-obsessed, but she fully realizes this and really grows by the end. A satisfying escapist read, full of heartfelt and touching moments, and just the kind of thing we all need right now. 

HOSTAGE TO FORTUNE (A Bradecote and Catchpoll Investigation #4) by Sarah Hawkswood (ARC from Netgalley)
GENRE: Crime/ Historical

RATING: ⭐⭐⭐⭐

January 1144. Hugh Bradecote does not want his betrothed heading off on pilgrimage to the shrine of St Edgyth at Polesworth, but the Archbishop of Canterbury’s envoy and his entourage of monks seem Heaven sent as escorts, right up until they are captured by a renegade who wants his forger out of the lord sheriff’s cells; a renegade who loathes the Benedictines, and kills for pleasure.

This invites comparisons to Ellis Peters’ Brother Cadfael Mysteries, and while it isn’t quite on that level for me, it was an enjoyable story with engaging characters and a solid plot. My favourite character was Christina, and I would have liked to see more of her. Hugh was a little colourless, except when he was thinking about her, when he suddenly came to life in my imagination. Catchpoll is well-realised and a nice contrast to his superior. A good read.

THIS IS HOW YOU LOSE THE TIME WAR by Amal El-Mohtar and Max Gladstone
GENRE: Science Fiction/ Time travel

RATING: ⭐⭐⭐⭐⭐

Among the ashes of a dying world, an agent of the Commandant finds a letter. It reads: Burn before reading.

Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, grows into something more. Something epic. Something romantic. Something that could change the past and the future.

Except the discovery of their bond would mean death for each of them. There’s still a war going on, after all. And someone has to win that war. That’s how war works. Right?

This seems to be a polarising book, but I absolutely loved it: the writing, the structure, the story, the characters. It’s short, but it packs an emotional and cerebral punch. The authors don’t spoon-feed you, which I suspect is the reason some readers haven’t enjoyed this. You are dropped straight into the action with very little explanation, and off you go, figuring things out as you go along. I was hooked from the first page and remained mesmerised all the way through. I really hope this duo is planning more collaborations in the future.

LEVIATHAN WAKES (The Expanse #1) By James S.A. Corey
GENRE: Science Fiction/ Space Opera

RATING: ⭐⭐⭐⭐⭐

Jim Holden is XO of an ice miner making runs from the rings of Saturn to the mining stations of the Belt. When he and his crew stumble upon a derelict ship, the Scopuli, they find themselves in possession of a secret they never wanted. A secret that someone is willing to kill for – and kill on a scale unfathomable to Jim and his crew. War is brewing in the system unless he can find out who left the ship and why.

Detective Miller is looking for a girl. One girl in a system of billions, but her parents have money and money talks. When the trail leads him to the Scopuli and rebel sympathizer Holden, he realizes that this girl may be the key to everything.

Holden and Miller must thread the needle between the Earth government, the Outer Planet revolutionaries, and secretive corporations – and the odds are against them. But out in the Belt, the rules are different, and one small ship can change the fate of the universe. 

Why did I wait so long to read this? There’s Space Opera and then there’s SPACE OPERA, and this is close to perfection. Holden and Miller are so well-realised, their personalities and motivations so clear, it was as if I was getting to know real people rather than characters in a book. The action is perfectly paced, the settings brilliantly imagined, the ending surprising and at the same time inevitable. Have I said enough to convince you yet? If you like Science Fiction at all, I can’t imagine you won’t love this one. And there are 7 more books in the series!

So, that’s what I read in March. Have you read any of these? What did you think? And what did you read last month?

My Reading Year: 2019

2019 was an odd reading year for me. For much of it, I felt an unusual reluctance to read at all. It wasn’t a complete reading block, a slump I suppose. 2019 was more a Year of Writing than a Year of Reading, to be honest. I’m thrilled that I managed to create and sustain a regular, extended daily writing time, and that as a result, I now have a full novel buffed and polished and ready to be published next month, but I can’t deny it has taken a toll on my delight in reading, and that’s a bad thing.

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